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Oil Paintings Come From United Kingdom
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RAFFAELLO Sanzio
Italian High Renaissance Painter, 1483-1520 Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,

 

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RAFFAELLO Sanzio St John the Baptist oil painting

Painting ID::  51263

X 
 

RAFFAELLO Sanzio
St John the Baptist
c. 1518 Oil on canvas, 165 x 147 cm
   
   
     

 

 

RAFFAELLO Sanzio Psyche Offering Venus the Water of Styx oil painting

Painting ID::  51284

X 
 

RAFFAELLO Sanzio
Psyche Offering Venus the Water of Styx
1517 Red chalk, 263 x 197 mm
   
   
     

 

 

RAFFAELLO Sanzio St Paul Preaching in Athens oil painting

Painting ID::  51286

X 
 

RAFFAELLO Sanzio
St Paul Preaching in Athens
Tempera on paper, mounted on canvas, 390 x 440 cm
   
   
     

 

 

RAFFAELLO Sanzio The Handing-over the Keys oil painting

Painting ID::  51287

X 
 

RAFFAELLO Sanzio
The Handing-over the Keys
1515 Tempera on paper
   
   
     

 

 

RAFFAELLO Sanzio The Death of Ananias oil painting

Painting ID::  51288

X 
 

RAFFAELLO Sanzio
The Death of Ananias
1515 Tempera on paper
   
   
     

 

 

RAFFAELLO Sanzio Waist-length Figure of a Young Woman oil painting

Painting ID::  51295

X 
 

RAFFAELLO Sanzio
Waist-length Figure of a Young Woman
1506 Pen and ink over stylus underdrawing, . 262 x 189 mm
   
   
     

 

 

RAFFAELLO Sanzio Study for the Disputa oil painting

Painting ID::  51296

X 
 

RAFFAELLO Sanzio
Study for the Disputa
1509 Brush and white highlighting over stylus underdrawing, 280 x 285 mm
   
   
     

 

 

RAFFAELLO Sanzio Loggia of Pope Leo X oil painting

Painting ID::  52002

X 
 

RAFFAELLO Sanzio
Loggia of Pope Leo X
1518-19 Palazzi Pontifici
   
   
     

 

 

RAFFAELLO Sanzio Madonna della Tenda oil painting

Painting ID::  52196

X 
 

RAFFAELLO Sanzio
Madonna della Tenda
1514 Oil on wood, 65,8 x 51,2 cm
   
   
     

 

 

RAFFAELLO Sanzio Double Portrait oil painting

Painting ID::  52204

X 
 

RAFFAELLO Sanzio
Double Portrait
1518 Oil on canvas, 90 x 83 cm
   
   
     

 

 

RAFFAELLO Sanzio The Baptism of Constantine oil painting

Painting ID::  52239

X 
 

RAFFAELLO Sanzio
The Baptism of Constantine
1520-24 Fresco Stanza di Constantino
   
   
     

 

 

RAFFAELLO Sanzio The Battle at Pons Milvius oil painting

Painting ID::  52241

X 
 

RAFFAELLO Sanzio
The Battle at Pons Milvius
1520-24
   
   
     

 

 

RAFFAELLO Sanzio Moses Saved from the Water oil painting

Painting ID::  52285

X 
 

RAFFAELLO Sanzio
Moses Saved from the Water
1518-19 Fresco Loggia on the second floor
   
   
     

 

 

RAFFAELLO Sanzio Christ relive oil painting

Painting ID::  55635

X 
 

RAFFAELLO Sanzio
Christ relive
mk243 1501
   
   
     

 

 

RAFFAELLO Sanzio Angel oil painting

Painting ID::  55636

X 
 

RAFFAELLO Sanzio
Angel
mk243 1500-1501 31x27cm Oil on board
   
   
     

 

 

RAFFAELLO Sanzio Shesibasi oil painting

Painting ID::  55637

X 
 

RAFFAELLO Sanzio
Shesibasi
mk243 1501-1502 43x34cm Oil on board
   
   
     

 

 

RAFFAELLO Sanzio The virgin mary and christ oil painting

Painting ID::  55638

X 
 

RAFFAELLO Sanzio
The virgin mary and christ
mk243 1496-1497 97x67cm
   
   
     

 

 

RAFFAELLO Sanzio The virgin mary oil painting

Painting ID::  55639

X 
 

RAFFAELLO Sanzio
The virgin mary
mk243 1502-1503 Oil on canvas 267x163cm
   
   
     

 

 

RAFFAELLO Sanzio Christ on the cross oil painting

Painting ID::  55640

X 
 

RAFFAELLO Sanzio
Christ on the cross
mk243 1503 279x166cm Oil on canvas
   
   
     

 

 

RAFFAELLO Sanzio Wedding oil painting

Painting ID::  55641

X 
 

RAFFAELLO Sanzio
Wedding
mk243 1504 170x117cm Oil on board
   
   
     

 

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RAFFAELLO Sanzio
Italian High Renaissance Painter, 1483-1520 Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,